I
am the Chaosgrapher here. When I am shooting, I disappear into the frame and let my full visual instinct take over. I am addicted to images built from finely carved details, the kind of photographs you can zoom into and still keep finding something new. When I sit down at the computer, I push that even further. Through retouch, I turn each shot into a visual that can carry a campaign or become the image a brand proudly stands behind.
I like time fast and efficient. I can handle many things at once and somehow that chaos becomes part of the routine, sharpening the result instead of breaking it. Knowing every corner of photography is not a hobby for me, it is part of the job. For more than 15 years I have loved almost every frame I have taken. I am drawn to architecture and timeless compositions, the kind of images that do not belong to a single moment but to an era.
Black and white is my home base. I love hard, Magnum like tones, where contrast and emotion hit at the same time. Every intense image I work on is fed by Chaos, just like us. A bit black and white, a bit in color. Like a retouch session at 500 percent zoom, where all the chaos lives inside the details. I believe we should always see both sides of that feeling in the work we create together.